SHORT TALK BULLETIN - Vol.I June, 1923 No.6
Freemasonry has no greater name than Robert Burns. If there are those who question his investiture as Poet Laureate of the Canongate Kilwinning Lodge, owing to the absence of certain documentary evidence, no one denies that he was, and is, the greatest poet of Freemasonry, the singer alike of its faith and its friendship, its philosophy and its fun, its passion and its prophecy. Nay, more; he was the Laureate, of the hopes and dreams of the lowly of every land.
Higher tribute there is none for any man than to say,
justly, that the world is gentler and more joyous for his having lived; and
that may be truly said of Robert Burns, whose very name is an emblem of
pity, joy, and the magnetism of Brotherly Love. It is therefore that
men love Burns, as much for his weakness as for his strength, and all the
more because he was such an unveneered human being. It is given to but
few men thus to live in the hearts of their fello
In a tiny two-roomed cottage, clay-built and thatch-roofed, on the banks of the Doon, in the district of Kyle, two miles south of the town of Ayr, in Scotland, Robert Burns was born on January 25th, 1759. It was a peasant home, such as he afterward described in "The Cotter's Saturday Night," in which poverty was consecrated by piety, where the father was a priest of faith and the mother a guardian angel of the holy things of life. So far from as schools were concerned, his education was limited to grammar, writing and arithmetic. Later he picked up a little Latin, a smattering of French, and some knowledge of English and classic poets. But he knew the Book of Nature, leaf by leaf, and the strange scroll of the Human Heart, as only the swift insight of genius can read them.
At the age of twenty-two Burns was initiated into the Mysteries of Freemasonry, in St. David's Lodge at Tarbolton, July 4th, 1781. Lockhart says that he was introduced to the Lodge by John Rankine. The minute recording his initiation reads: "Sederunt for July 4th. Robert Burns in Lochly was entered an Apprentice. Jo Norman, Master." The second and third degrees were conferred on the same evening, in the month of October following his initiation. Six years later he was made a Knights Templar as well as a Royal Arch Mason in Eyemouth, as under the old Regime the two were always given together. By this time he had won some fame as a poet, and the higher degrees were given him in token both of his fame as a poet and his enthusiasm as a Mason.
On July 27th, 1784, Burns was elected Depute Master of St. James Lodge, Tarbolton, a position which he held until St. John's Day, 1788.
He was made an honorary member of St. John Lodge No. 22, Kilmarnock, on October 26th, 1786. Major William Parker, the Master of St. John Lodge, became a great friend of Burns, and subscribed for thirty-five copies of the first edition of his poems. He is the "Willie" in the song "Ye Sons of Auld Killie" (a contraction of Kilmarnock) composed and sung by Burns on the occasion of his admission as an honorary member of St. John Lodge:
"Ye Sons of Auld Killie, assembled by William, To follow the noble vocation;
Your thrifty old mother has scarce such another, To sit in that honored station.
I've little to say, but only to pray,
As praying's the ton of your fashion;
A prayer from the muse, you may well excuse, "Tis seldom her favorite passion.
Ye powers who preside, o're the wind and the tide, Who mark each element's border;
Who formed this frame with beneficent aim,
Whose sovereign statute is order;
Within this dear mansion may wayward contention, Or withered envy ne're enter;
May secrecy round be the mystical bound,
And Brotherly Love be the center.
The minutes of this meeting concluded as follo
"Robert Burns, Poet, from Mauchline, a member of St. James, Tarbolton, was made an Honorary Member of this Lodge."
"(Sgd.) Will Parker.
This was the first Lodge to distinguish Burns with the designation "Poet," and to honor him with honorary membership.
Besides being a faithful and enthusiastic attendant upon the meetings of his own Lodge, Burns was a frequent visitor at Lodge when away from home. It is said that, with a very few exceptions, all his patrons and acquaintances were members of the Fraternity.
Burns is described at this time as nearly five feet ten inches in height, and of a form agile as well as strong; his high forehead shaded with black, curling hair, his eyes large, dark, full of bright intelligence, his face vividly expressive. His careless dress and untaught manners gave an impression of coarseness at first, but this was forgotten in the charm of his personality, and his face in repose had a calm thoughtfulness akin to melancholy. Full of fun and fire, affable and the best of good company, his superior mind did not make him supercilious, and he loved more than all else, a festival that was half frolic and a feast where joy and good will were guests.
Alas, drinking was a habit in the Scotland of those days, to a degree we can hardly imagine, as much in the Church as in the Lodge; and it made the bitter tragedy of Robert Burns. Truth obliges us to admit that his moral failure was early and pitiful, due alike to his environment and to a fatal frailty of which made him fitful, unstable, and a prey to every whim of fancy and of passion. It is an awful risk to be endowed with the genius of a Burns; it digs deep pitfalls for the man to whom it is given. Yet, if in his later years he was a degraded man of genius, he was never a man of degraded genius. The poison did not enter his song. Allan Cunningham was right when he said: "Few men had so much of the Poet in them, and few poets so much of the man; the man was probably less pure than he ought to have been, but the poet was pure and bright to the end."
So, and naturally so, men are willing to hide with a
veil of charity the debris of character scattered along the starry path of
Burns. On reading his poems Byron exclaimed: "What an
antithetical mind! Tenderness, roughness, delicacy, coarseness,
sentiments, sensuality; dirt and deity - all mixed up in one compound of
inspired clay!" But that might pass for a description of mankind in
general, and of Burns in particular. If Burns was a sinner he was in
that akin to ourselves, as God kno
Then at the balance let's be mute,
We can never adjust it;
What's done we partly may compute,
But know not what's resisted.
By the same token, no great poet whose name is linked
with our Craft ever owed more to Freemasonry, or gave more to it. More
intimately than any other he was identified with its life, its genius and
its ideals. Its teachings moved his thought; its spirit inspired his
song; its genius nurtured that love of freedom and Fraternity which he set
to everlasting music. So much is this true, that it remains a marvel
to this day how Shairp could have written a biography of Burns without once
mentioning his membership in the Craft. In the gentle air of
Freemasonry he found refuge from hardship and heaviness of spirit; and its
Surely, if ever of any one, it can be said of Robert Burns, that his soul goes marching on. He was the harbinger of the nineteenth century, the poet of the rights and reign of the common people, whom, it has been said, God must love because he made so many of them. The earth was fresh upon the tomb of George Washington when that century was born; it discovered Lincoln and buried him with infinite regret. But its triumphant melody first found voice in the songs of Robert Burns, as the greek singer inspired Patriarch with the fire which kindled the Revival of Learning, and out of the inertia of the Middle Ages created modern times. So when Taine, the French critic, came to account for that age he found that it's spirit "Broke First in the Scotch Peasant, Robert Burns." - a man of all men most fitted to give it voice, because "scarcely ever was seen together more of misery and of talent."
There are those who dream of a vague blur of cosmopolitism, in which all local loyalties, all heroic national genius shall be merged and forgotten. Not so Robert Burns. He was distinctively a national poet, striking deep roots in his native soil, and, for that reason, touching a chord so haunting that it echoes forever. This at least is true; a man who is not deeply rooted somewhere - to whom one spot on earth is not a little dearer, and the sky over it a little bluer - will not be of much use anywhere. When Burns appeared the spirit of Scotland was a low ebb. Her people were crushed and her ancient fire almost quenched. Her scholars blushed if they used her dialect. It was at such a time that a God-Endowed singer took up his harp, inspired by the history of his people, the traditions of Wallace and Bruce stirring him like a passion, his soul attuned to the old ballads of love and daring, singing the simple life of his nation in its vivid and picturesque language. He struck with a delicate but strong hand the deep and noble feelings of his countrymen, and somewhere upon his variegated robe of song will be found embroidered the life, the faith, the genius of his people. No wonder the men loved a poet, and make his home at once a throne of melody and a shrine of national glory.
Because he was so deeply rooted in the soil of his own land; because he was so sweetly, sadly, joyously - yea, and even sinfully - human, his spirit and appeal are universal, for the human heart beats everywhere the same, and by loyalty to the genius of our own country we best serve our race. His passion for liberty, his affirmation of the nobility of man, his sense if dignity of labor, his pictures of the pathos and the hard lot of the lowly, find response in every breast where beats the heart of a man. It is thus that all men love Burns, for it was he who taught, as few have taught since the Son of Man lodged with the fishermen by the sea, the brotherhood of man and the kinship of all breathing things. Such singers live as long as men love life, and their words become a part of the sacred scriptures of the human heart.
This is no time to deal in literary criticism - a dreary
business at best, a dismal business at worst. It is by all agreed that
Robert Burns was a lyric poet of the first order, if not the greatest song
writer of the world. Draw a line from Shakespeare to Browning, and he
is one of the few minds tall enough to touch it. The qualities of
Burns are simplicity, naturalness, vividness, fire, sweet-toned pathos, and
rollicking humor - qualities rare enough, and still more rarelyblended.
His fame rests upon verses written swiftly, as men write letters, and
upon songs as spontaneous, as artless, as lovely as the songs of birds.
He sang of simple things, of the joys and woes and pieties of the common
life, where sin be
No wonder Burns was the best beloved poet of Lincoln, as much for his democracy as for his humor, his pathos, and his rich humanity. With him social rank was but a guinea stamp, a bit of tawdry tinsel alongside the native nobility of manhood. He honored a man for his worth, not for his wealth. For the snob, for the fop, he had genuine contempt. If he flayed the selfish pride of the rich, it was not from envy - just as truly did he scorn the poor man who, instead of standing erect, only cringes and whines. He told the poor man that it is no sin to be poor, but that it is a sin to be ashamed of it. He taught that honest poverty is not only nobler, but happier, than indolent or il-gotten wealth. The Cotter's dog and the Laird's dog are very real dogs, as all admit, but their talk is something more than dog-philosophy. It is the old, old story of the high and the low, and it is like Burns to take the part of the under dog.
Still, had the Cotter's dog given way to self-pity,
Burns would have been the first to kick him. He hated fawning, as he
hated sham, and he knew that if toil is tragedy, labor is an honor and joy.
That which lives in Robert Burns, and will live while human nature is the
same, is his love of justice, of honesty, of reality, his touch of pathos
and melting sympathy, his demand for liberty, his faith in man and God - all
uttered with simple speech and the golden voice of song. His poems
were little jets of love and liberty and pity finding their way out through
the fissures in the granite-like theology of his day. They came fresh
from the heart of a man whom the death of a little bird set dreaming of the
meaning of the world wherein life is woven of beauty, mystery and sorrow.
A flower crushed in the budding, a field mouse turned out of his home by a
Such was the spirit of Robert Burns, a man passionate and piteous, compact of light and flame and loveliness, capable of withering scorn of wrong, quickly shifting from the ludicrous to the horrible in his fancy, poised between laughter and tears - and if by some art se could send his soul into all the dark places of the world, pity and joy would return to the common ways of man. His feet may have been in the furrow, but the nobility of manhood was in his heart, on his lips the voice of eternal melody, and in his face the light of the morning star. Long live the spirit of Robert Burns, Poet and Freeemason! May it grow and glow to the confounding of all injustice, all unkindness!
He haunts his native land
As an immortal youth; his hand
Guides every plow.
His presence haunts this room tonight,
A form of mingled mist and light
From that far coast.
Copyright 1923 by the Masonic Service association of the United States.
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